Fabric of the week: Surah

Did you ever wonder what to call that silk fabric used for so many scarves? You know, the elegant light fabric with a diagonal twill weave? 

From the VFG Fabric Resource:

Surah 

Surah is usually made of silk, or sometimes with silky manufactured fibers. It is found in a right-hand twill weave with the diagonal pattern of the twill visible on both sides. It is soft, smooth and fine and can be printed or solid. The French name surah comes from Surat, India, where the fabric was either first made, or dealt in, depending on the source of information. 

Uses: Neckties (it is sometimes called tie silk), scarves, blouses, dresses, and lingerie 

See also:
Foulard

©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photo by Hoyt Carter

Although scarves are certainly more common than dresses made of surah, it makes a beautiful dress fabric—as Claire McCardell must have thought in designing this dress (from my web store).

  

Fabric term of the week: Wool

I talked about rayon last, week, and with temperatures dropping...how about wool? This is from the VFG Fabric Resource.

Wool 

Wool is a natural fiber from sheep coats. It can be spun into a yarn with qualities that have never been entirely reproduced with manufactured fibers. It is strong and flexible, an excellent insulator, flame resistant, naturally water repellent and also able to absorb up to 50% of its weight in water. The fibers are naturally crimped and springy. The crimping makes the spinning of wool much easier with the fibers naturally binding together. In addition, the microscopic sections or scales along wool fibers allow them to stretch and bend as well as to lock together—giving wool its felting property. 

Not all sheep hair is the same—with variations on one animal, from animal to animal, and between breeds. Kemp is the more hair-like portion of a sheep coat, with little or no crimp and of larger diameter and coarser feel. The highest grade of wool is one with the narrowest diameter and with the highest number of crimps in its fiber. Ultra-fine merino wool can have up to 100 crimps per inch. 

The domestication of wild sheep took place sometime before 6,000 B.C.E., and the earliest wool fleece and fibers positively identified date from about 4,000 B.C.E. We get the name wool from Old English wull, and many other languages base their name for the fiber on the Latin lana. 

Also, note that various wools may come from other animals, primarily angora goats (from which we get mohair), cashmere goats (cashmere), angora rabbit (angora), alpaca, camel, and vicuna.

See wool and wool-like fabrics collected in the VFG Fabric Resource.

©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain

Like most vintage clothing sellers, I have plenty of wool items in stock. Here are just a few in my Etsy shop:

100% angora sweater dating from the 1980s

Italian-made 60s wool knit suit

50s black duvetyn jacket of 85% wool/15% fur fiber

Fabric term of the week: Rayon, viscose

Before I present my definition of rayon from the VFG Fabric Resource let me say this: I am no chemist. Understanding the processes used in creating manufactured fibers such as rayon, nylon and polyester was an interesting challenge for me. Having read, then read again (and again) about the invention and creation of these fibers, they finally stuck with me and I was able to present them in what I hope is understandable detail. I hope it is even a little interesting!

Rayon is a fiber that many vintage clothing aficionados love dearly. Its ability to take and hold dyes, its versatility and its long history, have made it a favorite of vintage wardrobes.

1940s “date for the ballet” novelty print rayon

Rayon 

Rayon is a generic name for a group of fabrics made from cellulose. Cellulose is a structural component of plants. For the purpose of textile production, wood pulp from trees is the main source of cellulose.  There are several different manufacturing processes, which yield rayon types called viscose, cuprammonium, high wet modulus (modal) and lyocell. 

Rayon was the first man-made fiber. One part of the process, the extraction of cellulose from the inner bark of a tree, was achieved by the Swiss chemist Georges Audemars in 1855. In 1884, Frenchman Hilaire de Chardonnet developed a nitrocellulose process for creating the fiber—a process which involved exposing cellulose to nitric acid. Nitrocellulose could then be extruded, through a tiny hole, as a filament fiber. The fiber was expensive and dangerous to make—as evidenced by the number of early factories that blew up processing the highly flammable nitrocellulose. This earliest incarnation of rayon was called Chardonnet silk. 

The much safer cuprammonium process was developed by the Bemberg Company of Germany in 1890. In this process, cellulose from purified wood pulp is exposed to a solution of copper and ammonia (cuprammonium), converting the cellulose to a liquid form. After spinning and washing, the cellulose is regenerated into a filament form. This process yields a smooth, fine filament fiber. Bemberg Italy still makes this fiber, under the trademark name Bemberg. Cupro is the generic name often used for rayon produced by the cuprammonium method. 

In 1892, the viscose process was patented in Britain by Charles Frederick Cross and his partners. Unlike cuprammonium, viscose rayon does not require lignin-free (purified wood pulp) cellulose, making it cheaper and more practical to produce. This process, which takes place in many stages, allows for more modifications to the fiber. Soon after its patent—and to this day—the viscose method has been the principal method used for making rayon. 

The viscose rayon fiber, first known as artificial silk, was in commercial production by 1905 in Britain. In 1909, because of high import tariffs, the British company Samuel Courtauld and Co. Ltd. obtained the rights to produce rayon using the viscose process in the United States. The first U.S. rayon plant, in Marcus Hook, Pennsylvania, was in business by 1910. Courtauld called this new venture the American Viscose Company. 

The multistage viscose process follows a progression that changes wood pulp into a viscose substance, then into a filament fiber. It is a very versatile process. Viscose rayon can be blended with any other fiber, and the finished textile can be soft and silky or sturdy and strong. It can have a dull or bright finish, and can be silken, linen-like or even wool-like. It takes dye well. Its clothing uses range from delicate lingerie to heavy coats. The 1930s saw the first use of staple fiber rayon, allowing rayon to not only emulate the silk that inspired it, but also cotton. 

The name rayon (“beam of light” in French) was first used in 1924 in the U.S., whereas viscose was used as the name of the process and the cellulosic liquid from which the rayon was made. In Europe, viscose was adopted as the name of the fabric itself (with the name rayon disappearing after the 1970s). The U.S. Federal Trade Commission now considers viscose an alternative name for rayon. 

Viscose rayon’s biggest practical weakness is its lack of strength when wet. High Wet Modulus (HWM) or modal rayon was developed in the 1950s; it is a variation of viscose rayon which makes for a stronger fiber. 

Lyocell was developed starting in the late 1970s by Courtaulds Fibres UK, and first manufactured in 1987. It differs in production from viscose rayon in that the solvent is reused, reducing its environmental impact (a major problem with older rayon processes). Tencel was the first trade name used for the staple fiber lyocell in North America, dating from 1992. Lyocell is also spun into filament fibers for silk-like textiles.

©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photo by Hoyt Carter

I've just added this dress made of rayon faille to my web store

Fabric of the week: Dotted swiss

One of the first fabrics I could call by name was dotted swiss (also called swiss dot). It is often used for girl’s clothing so I may have had a dress made of it early on. I remember asking for it by name when my mother was sewing something for me. I loved it, and still do.

In researching for the VFG Fabric Resource, I found out that there are a number of ways to achieve dotted swiss’s tiny regular dots. Read on...

Dotted swiss 

Traditionally made of a fine plain weave cotton—now sometimes a blend with manufactured fiber—dotted swiss always is covered in small dots placed at regular intervals. These can be woven in, flocked or printed. Colors may be introduced, although the most common is all white. The original and finest was first made in Switzerland on a swivel loom. Other woven varieties are clip-spot (spot-dot, clip-dot or American dotted swiss) and lappet woven. 

Flocked dots are made by applying tiny fibers with glue. Neither the flocked nor the printed versions of dotted swiss are as durable as the woven varieties, although they are less expensive to produce. 

Uses: Blouses, dresses, wedding gowns and curtains 

See also:
 Flocked fabric

Dotted swiss, clip spot, face

Dotted swiss, clip spot, reverse

Dotted swiss, flocked

 ©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photos by Hoyt Carter

This week I’ve listed a 1950s formal with the charm of sheer red dotted swiss, the tiny white dots achieved by the clip-spot method. 

50s red dotted swiss strapless dress in my Etsy shop

Fabric term of the week: Iridescent

You know what iridescence looks like (and, if you are like me, you have to concentrate to get the spelling right!) but maybe you don’t know how it is achieved with fabric.

This is from the VFG Fabric Resource.

Iridescent 

Iridescence is a display of radiant colors which seems to change when seen from various angles. 

Also called chameleon, changeant, pearlescent, luminescent, glacé, changeable or shot (in the case of taffeta), iridescent fabric is created by the weaving of two different colored yarns in the warp and weft. This may also be achieved in the dyeing of a fabric with two different fibers taking dye differently. Any fiber may be used, but the more lustrous the fiber, the more dramatic will be the iridescence.

Iridescent dupioni silk

The same iridescent silk, showing the two colors

Iridescent organza

Printed iridescent cotton—note the subtler effect ©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photos by Hoyt Carter

Bronze iridescent taffeta dress and jacket, in my web store

Fabric of the week: Alaskine

If you are fond of 1960s fashion, you will know the fabric I'm highlighting this week from the VFG Fabric Resource. That is, you will probably know the look, but you may not know the name...

Alaskine

Lustrous and relatively crisp fabric of 35% silk and 65% wool, with the silk in the warp and the wool in the weft. The name Alaskine was trademarked in 1960, although used commercially starting in 1956. The trademark was cancelled in 2001. The elegant fabric was especially popular in the 1960s. 

Uses: Suits, formal wear, dresses

©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photo by Hoyt Carter

This 1960s ice pink alaskine dress by Nat Kaplan is in my web store

Fabric term of the week: Polyester

MUTTS by Patrick McDonnell

Polyester has a bad rap, and some of it may be deserved. Particularly in clothing made of 100% polyester from the 1960s and early 70s, the fiber can be less than perfectly pleasing to the touch. However, it can be washed and worn and makes a good day-to-day wearable. Polyester-strengthened blends appeared starting in 1953, and you may not even always sense its presence. By around the mid 1970s, 100% polyester fabrics started to improve in quality.

This comes from the new VFG Fabric Resource. You can click on the links for the definitions of these terms in the resource.

Polyester

The inventor of nylon, Wallace Carothers, first created a polyester fiber in the 1930s. However it was the Englishman Dr. J.R. Whinfield who first supplied a commercially viable product in 1941. Still, polyester was not commercially introduced until 1953 in the U.S., and 1955 in Britain. The first British trade name (held by Imperial Chemical Industries Ltd.) was Terylene. DuPont was the first U.S. manufacturer, under the trade name Dacron. Many other manufacturers and trade names have existed and continue to exist today.

Polyester fiber is manufactured from a synthetic polymer in which the polymer units are linked by ester groups. The spun fiber makes a strong and washable, relatively inexpensive fabric— one that is abrasion-, fade-, wrinkle-, insect- and mold-resistant. Its most significant drawbacks as a finished fabric are its lack of absorption, its tendency to hold onto oil-based stains, and the difficulty to remove its pilling. Although it acquired a bad name through overuse in the 1960s and 70s, polyester fabrics can now be found with a wide range of aesthetic qualities. Frequently a component in blends, polyester is by far the most common fiber used for fabric today.

©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain

From my Etsy shop: Late 70s polyester jersey wrap dress by Mr. Suli - Toronto

Fabric of the week: Melton

If you have ever felt a vintage wool coat and sighed with bliss, there is a pretty good chance it was made of melton. This fabric has a surface that has been finished to give it a felt-like, weather-resistant nap, and in the finest wool it makes a velvety soft coat.

This definition is from the new VFG Fabric Resource, which is filled with many fabrics that will make you sigh with bliss, or so I hope. All the linked words will take you to definitions in the resource, in case you aren’t familiar with the terms.

Melton

Melton looks much like thick felt with its twill weave or plain weave obscured by fulling and shearing of its nap (although the back of the fabric may show its weave). The dense, thick construction makes it wind and rain resistant and extremely warm. It is almost always dyed a solid color.

The best melton is all wool and almost velvety. Less costly variations can have a cotton warp and woolen weft, and sometimes manufactured fibers are also used. Melton takes its name from Melton Mowbray, Leicestershire, UK, where it was first woven and used to make jackets for fox hunting.

Uses: Winter coats, uniforms, riding habits

See also:
Doeskin

©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photo by Hoyt Carter

This 1940s black coat from my web store is made of a blissfully fine wool melton. As with the best of this fabric, it has a velvety feel.

Fabrics of the week: Brocade and Damask

I’ve decided to show two fabrics from the VFG Fabric Resource today, because so often these fabrics are confused with one other. They are indeed similar, both woven on a jacquard loom.

Brocade

An elaborately-patterned fabric woven on a jacquard loom since the early 19th century, brocade uses color, texture or both to emphasize its figures. The figures and ground may be of contrasting weaves such as satin on plain weave. Brocade is not considered reversible; the reverse is often distinguished by long floating threads.

Brocade was originally made in Asia, of silk with gold or silver threads, and it may still be silk or a manufactured filament fiber with metallic threads. The original looming was done manually.

Uses: Evening wear, accessories, household items

See also:
Brocatelle
Damask (below)

 ©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photo by Hoyt Carter

50s brocade shoes in my Etsy shop

Damask

Damask differs from its jacquard relative brocade in that it can be reversed, although the reverse will feature the woven-in pattern in “negative.” Damask is characteristically one color but two different weaves, to set the patterns apart from the ground. If the pattern is satin on the face, it will be dull on the reverse. If two colors are used, these will be reversed on the back of the fabric.

The fabric gets its name from Damascus, Syria, a trade hub where this silk fabric from China was introduced to Europe. Starting in the 15th century, European damasks were made of linen; both staple fiber and filament fiber damasks are made still. Table linens of cotton and blends are often damask.

Uses: Table linens, household decorations, towels, wraps, evening wear, accessories

See also:
Brocade (above)
Jacquard, woven 

 ©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photo by Hoyt Carter

60s silver damask dress in my Etsy shop

 

Fabric of the week: Fleece

This week’s fabric from the new VFG Fabric Resource is fleece. No, not the fleece that takes up a disproportionate amount of space in fabric stores today. (That fleece’s full name is polar fleece, and I will get to writing about it for the fabric resource, but haven’t been in a rush about it...) The fleece I'm talking about is made of woven wool, and you are most apt to see it cut into a good-quality vintage coat.

Fleece

Fleece is made of wool, mohair (as well as other specialty hairs) and blends. The nap covers the fabric’s construction which is usually right-hand twill or satin weave. With its soft nap all brushed in one direction, woven fleece has a longer, hairier nap than duvetyn. 

Uses: Coats, hats 

See also:
Duvetyn 
Sweatshirt fleece

©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photo by Hoyt Carter

This gives me a chance to show off this 1950s Lilli Ann coat, new in my web store. The fleece used for this coat has a luxuriously long nap.

Fabric of the week: Burlap

In case you hadn’t seen the previous entries, I’m showing off a fabric from the new VFG Fabric Resource each week. This week’s fabric is not commonly associated with vintage fashion but I have seen burlap used for a most chic 1950s swing coat, so I know the irony of a rough fabric used for high fashion is not unheard of.

Burlap

Burlap is a coarse, plain weave fabric woven from jute fibers. It is often left undyed, but can be dyed or printed. Burlap is called hessian in the UK and Europe. Gunny sack or gunny cloth is course burlap used for bagging. 

Uses: Bags for commodities such as rice; upholstery lining; when printed, used for draperies and wall coverings. Very rarely used for clothing. 

See also:
Hopsacking

©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photo by Hoyt Carter

Burlap-covered Enid Collins style bucket bag with unicorn, in my Etsy store:

Hollywood Hed-Topper scarf - ingenious!

I recently acquired several mysterious scarves labeled Hollywood Hed-Topper - Arlis Mfg. Co. Los Angeles. Basically each scarf is a large square with a lined band that extends beyond the square and has a clear ring on one end, snaps on the other. Wrapping it around one’s head and snapping the band together made sense to me, but I just knew there was more to this.  Today I stumbled upon the instructions—what a coup for the manufacturers to have Jayne Mansfield show off their creation! 

From hakes.com, where a scarf with its original packaging was auctioned

 So I tried some stunts of my own and I am in love with this scarf! Thank goodness I have two more (navy with white polka dots and burgundy) to ease the pain of letting this one go! 

The Hollywood Hed-Topper (also good as a neck-ringer!) available in my Etsy shop

Etsy crafters take note...this design would be fun to make and stock in your store, would it not? 

Fabric of the week: Sateen

Continuing my series showcasing fabrics and fabric terms from the new VFG Fabric Resource, today is one of my favorites.

I love sateen. Looking for a dressy, elegant fabric, or are you looking for comfort and wearability? Sateen has a foot in both camps. I think I'd prefer to wear a party dress of cotton sateen rather than most any satin.

Sateen 

The name sateen means the diminutive of satin, which is traditionally made of silk, while sateen is made of cotton, sometimes a cotton blend. It is constructed in a tight satin weave with float threads that cross the face diagonally…sort of a satin/twill hybrid. Already lustrous and smooth by virtue of its weave, the best sateen is made of combed cotton and mercerized and can be very glossy. It can be printed, often with flowers, or plain. 

Uses: Dresses, skirts, jackets, household decorations

©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photo by Hoyt Carter

Sateen is one characteristic fabric for Hawaiian-made vintage fashions, combining as it does casual elegance with the coolness of cotton. This 1950s sarong-style long dress by Kahana Manufacturing - Honolulu, is a good example. 

Going up?

{Click image to view, sound up}

For my August monthly theme I was inspired by the old department store elevator—“2nd floor, shoe salon”—and the anticipation I would feel going up. I loved the grand old Frederick & Nelson in Seattle, with each floor a new adventure, from the Paul Bunyan Room of the basement to the Tearoom of the 8th floor.

In honor of my theme, for August I'm changing my usual slogan Top-Drawer Wearable Vintage to Top-Floor Wearable Vintage! : )

Fabric of the week: Felt

In case you didn’t see the start of this last week: Each week I’m showcasing a fabric or fabric term from the new VFG Fabric Resource. 

This week’s fabric is nonwoven felt, a fabric that may surprise some. For instance, did you know that the felt that is widely available in fabric and craft stores is not a real felt, but an imitation? That’s because genuine felt is made of wool fibers (more rarely fur fibers) and is much more expensive to produce. 

Just this weekend I was talking with a vintage fabric store owner (Ethel of The Knittn’ Kitten in Portland, Oregon...a really neat lady and a great little shop!). She told me that she had been finding felt yardage at estate sales, and became aware that it was soft, springy, a little lustrous and of great quality. That’s when she knew she was finding real wool felt. If you haven’t felt it (no pun...) you are in for a treat.

Felt, nonwoven 

Nonwoven felt is a fabric made in a process that involves fibers of wool or fur being subjected to moisture, heat, friction and pressure. The minute natural scales on the fibers cause them to tangle and mat while the heat and moisture shrink and thicken the fibers to form a dense fabric. Felting is the name of this process. Wool felt is probably the oldest fabric known to man, referenced in ancient writings and found in Bronze Age tombs. 

Fine felts may use rabbit fur fibers, while the finest use beaver fur fibers. These fine felts are known for their use in hat making. 

The fabric called felt which is currently widely available for crafting is actually an imitation; usually made of acrylic fibers and adhesives, no natural fibers are present. Other felts available are made of part wool. Half of the fibers must be natural for the fabric to felt. 

Uses: Hats, bags, slippers, padding, crafts, and a wide range of household and industrial applications

©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photo by Hoyt Carter

Crafters know that felt does not ravel, so it can be cut and used without finishing its edges. Iconic 1950s poodle skirts were made of felt. Interestingly, wool and fur fibers are so capable of felting that even only 50% wool/fur fibers will entangle non-wool fibers sufficiently to produce genuine felt. Another interesting point: The soft matted nap surface of many wool fabrics is produced by the same method (heat, friction, moisture, pressure) in a process called fulling.

Dramatic late 30s stylized felt fedora in my web store

Fabric of the week: Taffeta

I just published the new Vintage Fashion Guild Fabric Resource, and although there are many, many fabrics and fabric terms I want to add yet, it is pretty big already. I hope you go have a look: VFG Fabric Resource.

To make reading through it a little more manageable, I want to introduce one fabric or fabric term to you per week. The first is a truly well known fabric among vintage wearers—taffeta. Many are the great party frocks made from it! Even though it is well known, you may not be familiar with certain aspects of taffeta—I certainly wasn't until I did some research.

All the links take you to definitions in the VFG Fabric Resource, in case you are not familiar with the meanings. For taffeta, there is a pretty lengthy list of fabrics in the same family (under “See also”).

50s taffeta dress and bolero in my Etsy shop

Taffeta

A crisp, tightly-woven plain weave fabric usually with very fine horizontal ribs, taffeta is made of filament yarns (silk, acetate or rayon), sometimes with staple yarn filling. It is often lustrous.

When woven of two different colored yarns, shot taffeta is created, also called changeable or iridescent. When the iridescent taffeta is silk, it can be called shot silk. Woven of three colors (two in the weft, one in the warp), it is called chameleon taffeta.

Taffeta is often the fabric used for moiré, and it can be processed to create ciré.

Taffeta makes a characteristic rustling sound when moved. The sound is called scroop (a late 18th-century word blending scrape and whoop) in the case of silk taffeta. The scroop sound results from an acid finishing treatment

The name comes from the Persian taftah, a 16th-century fine silk fabric.

Uses: Dresses, underskirts, linings, trims, umbrellas

See also:

 Bengaline

 Ciré

 Faille

 Grosgrain

 Moiré

 Ottoman

Acetate taffeta

Flocked taffeta

Embossed taffeta

Jacquard taffeta

Silk taffeta ©Vintage Fashion Guild - Text by Margaret Wilds/denisebrain,  photos by Hoyt Carter

P.S. If you have a small piece—it doesn't need to be larger than about 2" x 2"—of chameleon taffeta (definition above) you would like to donate to the cause, I'd love it to photograph and add to the resource!

The new Fabric Resource

Excuse my absence for the past few weeks...I have been adding some finishing touches to the new Vintage Fashion Guild Fabric Resource, now published.

I say finishing touches, but really, this is the start. I hope to continue adding fabrics and fabric terms as I can. I began this project in 2007, and I have really learned a lot about fabrics, which fascinate me. I hope this resource helps others learn and enjoy fabrics too.

You can see the Fabric Resource, and all its components, by going to the Vintage Fashion Guild homepage and looking under VFG Resources.

Please let me know what you think!

Fabrics and me

photo courtesy of desktopretreat.blogspot.com

One summer, I read the Fairchild’s Dictionary of Textiles cover to cover (don't I know how to have fun?) and chose a collection of fabrics that seemed to come up in vintage clothing descriptions and in my observations. I didn’t, and don’t, consider myself an expert on the subject, but I love learning about fabrics.

I really have to know fabric better all the time. I sell vintage clothing, and my buyers and I want to know what a item is made from. To know this is to tell someone whether she will be allergic, how to wash or clean the item, predict how it will take dye. It is to know how fine it is, how long it will last, how the color will hold up. It helps make certain the vintage. It gives a better sense of how it will feel when worn. Buying clothing online is hard enough, and knowing all you can about the item is just smart.

The year after I read the Fairchild’s I was a board member of the Vintage Fashion Guild, and I proposed the idea of the VFG website having a fabric resource. For many years, the VFG Label Resource has made an inestimable contribution to vintage knowledge and interest, and the other resources (Fur Resource and Lingerie Guide) are also of tremendous value (heck, you should just go check out the whole site!). Everyone thought a fabric resource was a good idea, so I got started on it.

Fast forward to 2012, and I have been working bit by bit on a fabric resource for most of five years now. Fabrics are complicated. As one article in an issue of the great American Fabrics magazine begins:

The history of textiles is the history of the world...politically, socially, economically.

So much of human history has been interwoven with fabrics—any one fabric can take you back to ancient civilizations, or even prehistoric times. This makes many of them difficult to quickly summarize.  I noted one of the fabrics in the Fairchild’s that was particularly mind-boggling for me, frisé.

frisé [free-zay’] 1. Originally the finest grade of linen made in Friesland, The Netherlands. It was strong, stout, grained, and well-bleached. 2. A French term for curled. 3. A coarse ratiné fabric that is made with slub yarns in a plain weave ( See RATINÉ 1.) 4. A looped pile fabric usually of uncut loops that may have a pattern cut into them. This term sometimes is used for TERRY CLOTH or BOUCLÉ FABRIC. 5. A coarse, stout cotton or linen fabric that is made in a plain weave with a flat, wiry texture and a pronounced rep or rib. Made in imitation of the worsted or mohair pile fabric known as FRIEZE. All fabrics listed in 1.—5. are used for upholstery. 6. A cut pile carpet of twisted yarns in solid color or of varicolored yarns.

You can see there are divergent histories here, along with terms that may not be familiar (they certainly weren’t all familiar to me). There are comments about usage, origins of the name, related fabrics. Not all fabrics have this much complexity in their definitions, but some have more.

I’m not trying to make excuses for the long time I’ve been working on this; on the contrary, when the Fabric Resource is published in mid July it will just be a start—I plan to continue working on it. I really just mean to say it is a very deep subject, with much to know. My hope is that the Fabric Resource will provide basic information about fabrics, help people searching for the name of a “mystery” fabric, help with determining fiber types, and maybe even inspire some interest in further research.

I know I’m inspired by fabrics, and I hope others are too!

Would you like one sneak peek? Just to explain, there will be a link to a definition in the resource for all the words in bold type, and a link to any related fabrics. It will be possible to click on all photos to enlarge them to 1000 x 1000 pixels.


Chinchilla cloth

Constructed like fleece, with a long nap, chinchilla cloth is given a machine finish which rubs the nap into nubs. It is made of wool, wool blends, and the warp may be cotton for strength. The town of Chinchilla, Spain is where the present fabric was first made.

Uses: Coats, hats

See also fleece

Here comes the sun

There’s vintage fashion for warm weather this month at denisebrain! Please have a look at my latest theme for a little inspiration:

I thank you, the manatees thank you!

Because of your purchases in the last two weeks, I am able to write a check for $221 to the Save the Manatee Club. I know it will be used well!

If you like to add your donation to the cause, visit savethemanatee.org